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From the Aegean - 2002
McIntyre Gallery, Regina
Jack Anderson writing for the Regina Leader Post:
Like most other women of her generation who began practising art in the late seventies and early eighties, Regina artist Antoinette Hérivel's gentle paintings arid floor screens were then and continue to be now a celebration of female experience and female history.

Layering veil-like various female figures sourced from classical mythology, art history and her own family history; green flora fecundly entangling the cultivated backyard gardens it inhabits; antique items of women's clothing; and small objects we generally associate with women's domestic activities - Herivel has always constructed poetic images that, while articulating specific autobiographical events, people and places in her life, also suggest an emotional and psychological interior world that most women share.

Hérivel's latest work, exhibited under the title From the Aegean, continues in this vein, although it finds her not ruminating as she usually does on personal narratives sourced from her own family's storybook. These 17 new paintings are the result of a three-months "sabbatical" she took recently where she enrolled in the Aegean Center for the Fine Arts, a private art school with facilities in both Tuscany and in Greece, that not only specializes in training its students in classical methods and approaches to art, but which also gives them an in-depth experience of the cultural life of these places. Hérivel's journey, then, was to Renaissance Italy and classical Greece, and indeed we find evidence throughout this small show of these historical influences. In several of the canvases from her month in Tuscany, Hérivel paints the female figure as goddess costumed in shiny flowing satin.


Sand goddess #1
Garden wall at Paros
Still life with lace loom


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