| France | |
| ? | TARKANOVA | Unknown |
| 1922 | PARIS QUI DORT | Réne Clair |
| 1924 | MENILMONTANT | Dimitri Kirsanov |
| 1925 | POIL DE CAROTTE | Julien Duvivier |
| 1927 | AN ITALIAN STRAW HAT | Réne Clalr |
| 1927 | THE ITALIAN STRAW HAT | Réne Clair |
| 1930 | SOUS LES TOITS DE PARIS | Réne Clair |
| 1930 | SOUS LES TOITS DE PARIS | Réne Clair |
| 1931 | LE MILLION | Réne Clair |
| 1931 | A NOUS LA LIBERTE | Réne Clair |
| 1931 | A NOUS LA LIBERTE | Réne Clair |
| 1933 | LE GRAND JEU | Jacques Feyder |
| 1933 | ZERO DE CONDUITE | Jean Vigo |
| 1933 | ZERO DE CONDUITE | Jean Vigo |
| 1934 | L'ATALANTE | Jean Vigo |
| 1935 | THE CRIME OF MONSIEUR LANGE | Jean Renoir |
| 1935 | LA KERMESSE HEROIQUE | Jacques Feyder |
| 1936 | UNE PARTIE DE CAMPAGNE | Jean Renoir |
| 1936 | UN PARTIE DE CAMPAGNE | Jean Renoir |
| 1937 | LES-BAS FONDS | Jean Renoir |
| 1937 | DROLE DE DRAME | Marcel Carne |
| 1937 | PEPE LE MOKO | Julien Duvivier |
| 1937 | HARVEST | Marcel Pagnol |
| 1937 | LA GRANDE ILLUSION | Jean Renoir |
| 1937 | UNE PARTIE DE CAMPAGNE | Jean Renoir |
| 1937 | LA GRANDE ILLUSION | Jean Renoir |
| 1938 | KATIA | Naurice Tourneur |
| 1938 | UN CARNET DE BAL | Julien Duvivier |
| 1938 | LA FEMME DU BOULANGER | Marcel Pagnol |
| 1938 | HOTEL DU FORD | Marcel Carne |
| 1939 | FRIC FRAC | Maurice Lehman |
| 1939 | LA FIN DU JOUR | Julien Duvivier |
| 1939 | LE JOUR SE LEVE | Marcel Carne |
| 1939 | LA REGLE DU JEU | Jean Renoir |
| 1940 | UNTEL PERE ET FILS | Julien Duvivier |
| 1942 | LA SYMPHONIE FANTASTIQUE | Christian-Jaque |
| 1943 | L'ANGE DE LA NUIT | Berthomieu |
| 1945 | LES ENFANTS DU PARADIS | Marcel Carne |
| 1945 | LES ENFANTS DU PARADIS | Marcel Carne |
| 1945 | LES ENFANTS DU PARADIS | Marcel Carne |
| 1946 | BATAILLE DU RAIL | Réne Clement |
| 1946 | LA SYMPHONIE PASTORALE | Jean Dellanoy |
| 1946 | VOYAGE SURPRISE | Pierre Prevert |
| 1947 | MONSIEUR VINCENT | Maurice Cloche |
| 1947 | LA BELLE ET LA BETE | Jean Cocteau |
| 1947 | LA BELLE ET LA BETE | Jean Cocteau |
| 1948 | MONSIEUR ALIBI | Jean Dreville |
| 1948 | LES CASSE PIEDS | Jean Denville |
| 1948 | UNE SI JOLIE PETITE PLAGE | Yves Allegret |
| 1948 | L'ARMOIRE VOLANTE | Carlo Rim |
| 1948 | L' ECOLE BUISSONNIERE | Jean-Paul Le Chanois |
| 1949 | JOUR DE FETE | Jacques Tati |
| 1949 | LES AMANTS DE VERONE | Andre Cayatte |
| 1949 | PLUS DE VACANCES POUR LE BON DIEU | Robert Vernay |
| 1949 | JOUR DE FETE | Jacques Tati |
| 1950 | ORPHEE | Jean Cocteau |
| 1950 | LA BEAUTE DU DIABLE | Réne Clair |
| 1950 | MA POMME | Marc-Gilbert Sauvajon |
| 1950 | OLIVIA | Jacqueline Audry |
| 1950 | TROIS TELEGRAMMES | Henri Decoin |
| 1950 | ORPHEE | Jean Cocteau |
| 1951 | SOUS LE CIEL DE PARIS | Julien Duvivier |
| 1951 | EDOUARD ET CAROLINE | Jacques Becker |
| 1951 | DR. KNOCK | Guy Lefranc |
| 1952 | LE RIDEAU CRAMOISI | Alexandre Astruc |
| 1952 | LES BELLES DE NUIT | Réne Clair |
| 1953 | LES VACANCES DE MONSIEUR HULOT | Jacques Tati |
| 1953 | LE BLE EN HERBE | Claude Autant-Lara |
| 1953 | THE RETURN OF DON CAMILLO | Julien Duvivier |
| 1953 | LES VACANCES DE MONSIEUR HULOT | Jacques Tati |
| 1953 | LES VACANCES DE MONSIEUR HULOT | Jacques Tati |
| 1954 | LES DIABOLIQUES | Henri George Clouzot |
| 1955 | FRENCH CAN-CAN | Jean Renoir |
| 1956 | LES ASSASSINS DU DIMANCHE | Alex Joffe |
| 1957 | PORTE DES LILAS | Réne Clair |
| 1957 | ASCENSEUR POUR L'ECHAFAUD | Louis Malle |
| 1958 | LES QUATRE CENTS COUPS | Francois Truffaut |
| 1959 | THE MYSTERY OF PICAS | Henri-Georges Clouzot |
| 1959 | LE DEJEUNER SUR L'HERBE | Jean Renoir |
| 1960 | LES JEUX DE L' AMOUR | Philippe De Broca |
| 1960 | ZAZIE DANS LE METRO | Louis Malle |
| 1961 | LE CAPORAL EPINGLE | Jean Renoir |
| 1961 | JULES ET JIM | Francois Truffaut |
| 1962 | LE SOUPIRANT | Pierre Etaix |
| 1962 | THE WAR OF THE BUTTONS | Yves Robert |
| 1962 | LA BAIE DES ANGES | Jacques Demy |
| 1962 | VIVRE SA VIE | Jean-Luc Goddard |
| 1964 | LES PARAPLUIES DE CHERBOURG | Jacques Demy |
| 1964 | THOMAS L'IMPOSTEUR | Georges Franju |
| 1964 | LES PARAPLUIES DE CHERBOURG | Jacques Demy |
| 1964 | LA VIEILLE DANE INDIGNE | Réne Allo |
| 1965 | YO-YO | Pierre Etaix |
| 1965 | LA VIE DE CHATEAU | Jean-Paul Rappeneau |
| 1966 | LE VIEL HOMME ET L'ENFANT | Claude Berri |
| 1966 | UN HOMME ET UNE FEMME | Claude Lelouch |
| 1967 | THE BRIDE WORE BLACK | Francois Truffaut |
| 1967 | BELLE DE JOUR | Luis Bunuel |
| 1968 | LA TREVE | Claude Guillemot |
| 1968 | LA FEMME INFIDELE | Claude Chabrol |
| 1968 | LES BICHES | Claude Chabrol |
| 1969 | LE BOUCHER | Claude Chabrol |
| 1970 | LE GENOU DE CLAIRE | Eric Rohmer |
| 1973 | THE WATCHMAKER OF SAINT PAUL | Bertrand Tavernier |
| 1974 | LES VIOL0NS DU BAL | Michel Drach |
| 1977 | LE CRABE-TAMBOUR | Pierre Schoendoerffer |
| 1980 | LE DERNIER METRO | Francois Truffaut |
| 1983 | COUP DE FOUDRE | Diane Kurys |
| 1984 | UN DIMANCHE A LA CAMPAGNE | Bertrand Tavernier |
| 1984 | LE COP (LES RIPOUXN | Claude Zidi |
| 1984 | NOTRE HISTOIRE | Bertrand Blier |
| 1988 | LE GRAND CHEMIN | Jean Loup Hubert |
| 1989 | ROMAULD ET JULIETTE | Coline Serreau |
| 1990 | TATIE DANIELLE | Etienne Chatiliez |
| 1990 | DELICATESSEN | Jean Pierre Jeunet & Marc Caro |
| 1991 | LES AMANTS DU PONT-NEUF | Leos Carax |
| 1992 | TOUS LES MATINS DU MONDE | Alain Corneau |
| 1992 | L627 | Bertrand Tavernier |
| 1995 | THE HORSEMAN ON THE ROOF | Jean-Paul Rappeneuau |
| Great Britain | |
| ? | STARS THAT MADE THE SILENT CINEMA | Unknown |
| 1926 | THE LODGER | Alfred Hitchcock |
| 1927 | SHOOTING STARS | A.V. Bramble |
| 1929 | BLACKMAIL | Alfred Hitchcock |
| 1933 | PRIVATE LIFE OF HENRY VIII | Alexander Korda |
| 1934 | SING AS WE GO | Basil Dean |
| 1935 | THE PASSING OF THE THIRD FLOOR BACK | Berthold Viertel |
| 1937 | OH MR. PORTER | Marcel Varnel |
| 1937 | FIRE OVER ENGLAND | William K. Howard |
| 1937 | DARK JOURNEY | Victor Saville |
| 1939 | THE FOUR FEATHERS | Zoltan Korda |
| 1942 | FILM AND REALITY | Alberto Cavalcanti |
| 1943 | THE LIFE AND DEATH OF COLONEL BLIMP | Michael Powell &Emeric Pressburger |
| 1944 | THE WAY AHEAD | Carol Reed |
| 1944 | HENRY V | Laurence Olivier |
| 1944 | HENRY V | Laurence Olivier |
| 1945 | DEAD OF NIGHT | Cavalcanti, Crichton, Hamer & Dearden |
| 1946 | GREAT EXPECTATIONS | David Lean |
| 1947 | IT ALWAYS RAINS ON SUNDAY | Robert Hamer |
| 1948 | QUEEN OF SPADES | Thorold Dickinson |
| 1948 | OLIVER TWIST | David Lean |
| 1948 | THE RED SHOES | Michael Powell & Emeric Pressburger |
| 1949 | PASSPORT TO PIMLICO | Henry Cornelius |
| 1949 | THE THIRD MAN | Carol Reed |
| 1951 | THE MAGIC GARDEN | Donald Swanson |
| 1951 | THE TALES OF HOFFMAN | Michael Powell & Emeric Pressburger |
| 1951 | THE TALES OF HOFFMAN | Michael Powell &Emeric Pressburger |
| 1952 | THE ELSTREE STORY | prod: Gilbert Gunn |
| 1952 | THE ELSTREE STORY | Gilbert Gunn |
| 1953 | GENEVIEVE | Henry Cornelius |
| 1955 | THE LADYKILLERS | Alexander Mackendrick |
| 1959 | THE ROYAL BALLET | Dr. Paul Czinner |
| 1962 | LAWRENCE OF ARABIA | David Lean |
| 1964 | DR. STRANGELOVE | Stanley Kubrick |
| 1966 | THE WHISPERERS | Bryan Forbes |
| 1970 | THE GO BETWEEN | Joseph Losey |
| 1971 | UNDER MILKWOOD | Andrew Sinclair |
| 1972 | THE AMAZING MR. BLUNDEN | Lionel Jeffries |
| 1973 | THE OPTIMISTS OF NINE ELMS | Anthony Simmons |
| 1975 | TOMMY | Ken Russell |
| 1976 | THE EAGLE HAS LANDED | John Sturgess |
| 1978 | HULLABALOO OVER GEORGIE & BONNIE'S PICTURES | James Ivory |
| 1985 | MY BEAUTIFUL LAUNDRETTE | Stephen Frears |
| 1985 | DREAMCHILD | Gavin Millar |
| 1989 | THE LONELY PASSION OF JUDITH HEARNE | Jack Clayton |
| 1989 | HENRY V | Kenneth Branagh |
| 1992 | LEON THE PIG FARMER | Vadim Jean & Gary Sinyor |
| 1992 | ORLANDO | Sally Potter |
| 1993 | RAINING STONES | Ken Loach |
| 1993 | BHAJI ON THE BEACH | Gurinder Chadha |
| U.S.A. | |
| 1915 | THE BIRTH OF A NATION | D.W. Griffith |
| 1919 | TRUE HEART SUSIE | D.W. Griffith |
| 1921 | THE FOUR HORSEMEN OF THE APOCALYPSE | Rex Ingram II |
| 1922 | SAFETY LAST | Fred Newmeyer & Sam Taylor |
| 1922 | NANOOK OF THE NORTH | Robert J. Flaherty |
| 1922 | BLOOD AND SAND | Fred Niblo |
| 1923 | THE HUNCHBACK OF NOTRE DAME | Wallace Worsley |
| 1924 | THE NAVIGATOR | Buster Keaton & Donald Crisp |
| 1925 | THE EAGLE | Clarence Brown |
| 1925 | DON Q, SON OF ZORRO | Donald Crisp |
| 1925 | THE GOLD RUSH | Charles Chaplin |
| 1925 | THE PHANTOM OF THE OPERA | Rupert Julian & Edward Sedgwick |
| 1927 | A PAIR OF SILK STOCKINGS | Wesley Ruggles |
| 1927 | SUNRISE | F.W. Murnau |
| 1927 | THE GENERAL | Buster Keaton & Clyde Bruckman |
| 1927 | THE JAZZ SINGER | Alan Crosland |
| 1928 | THE LAST COMMAND | Joseph von Sternberg |
| 1929 | NOAH'S ARK | Michael Curtiz |
| 1931 | TABU | F.W. Murnau & David Flaherty |
| 1932 | MOVIE CRAZY | Clyde Brickman |
| 1932 | RED DUST | Victor Fleming |
| 1932 | ROME EXPRESS | Walter Forde |
| 1932 | SCARFACE | Howard Hawks |
| 1933 | DUCK SOUP | Leo McCarey |
| 1933 | FORTY-SECOND STREET | Lloyd Bacon |
| 1933 | GOLD DIGGERS OF 1933 | Busby Berkeley |
| 1933 | QUEEN CHRISTINA | Rouben Mamoulian |
| 1933 | FLYING DOWN TO RIO | Thornton Freeland |
| 1934 | IT'S A GIFT | Norman Z. McLeod |
| 1935 | THE INFORMER | John Ford |
| 1935 | A NIGHT AT THE OPERA | Sam Wood |
| 1935 | ANNA KARENINA | Clarence Brown |
| 1935 | A NIGHT AT THE OPERA | Sam Wood |
| 1935 | DAVID COPPERFIELD | George Cukor |
| 1935 | TOP HAT | Mark Sandrich |
| 1936 | THE GREEN PASTURES | William Keighley |
| 1936 | THE PETRIFIED FOREST | Archie Mayo |
| 1937 | STAND IN | Tay Garnett |
| 1937 | HOLLYWOOD HOTEL | Busby Berkeley |
| 1938 | HOLIDAY | George Cukor |
| 1938 | BRINGING UP BABY | Howard Hawks |
| 1939 | THE WOMEN | George Cukor |
| 1939 | NINOTCHKA | Ernst Lubitsch |
| 1939 | THE HUNCHBACK OF NOTRE DAME | William Dieterle |
| 1939 | NINOTCHKA | Ernst Lubitsch |
| 1940 | FOREIGN CORRESPONDENT | Alfred Hitchcock |
| 1940 | THE GREAT DICTATOR | Charles Chaplin |
| 1941 | CITIZEN KANE | Orson Welles |
| 1941 | CITIZEN KANE | Orson Wells |
| 1942 | THE MAN WHO CAME TO DINNER | William Keighley |
| 1942 | THE MAGNIFICENT AMBERSONS | Orson Welles |
| 1942 | I MARRIED A WITCH | Réne Clair |
| 1943 | STRANGE INCIDENT | William A. Wellman |
| 1943 | CABIN IN THE SKY | Vincente Minnelli |
| 1943 | CASABLANCA | Michael Curtiz |
| 1944 | LAURA | Otto Preminger |
| 1944 | TO HAVE AND HAVE NOT | Howard Hawks |
| 1947 | THE FUGITIVE | John Ford |
| 1947 | THE SECRET LIFE OF WALTER MITTY | Norman Z. Macleod |
| 1948 | LOUISIANA STORY | Robert Flaherty |
| 1950 | SUNSET BOULEVARD | Billy Wilder |
| 1950 | ALL ABOUT EVE | Joseph Mankiewiez |
| 1951 | AN AMERICAN IN PARIS | Vincente Minnelli |
| 1952 | SINGING IN THE RAIN | Gene Kelly & Stanley Donen |
| 1952 | SINGIN' IN THE RAIN | Gene Kelly & Stanley Donen |
| 1952 | THE QUIET MAN | John Ford |
| 1954 | REAR WINDOW | Alfred Hitchcock |
| 1954 | CARMEN JONES | Otto Preminger |
| 1956 | THE SEARCHERS | John Ford |
| 1958 | AUNTIE MAME | Morton Da Costa |
| 1958 | GIGI | Vincente Minnelli |
| 1958 | VERTIGO | Alfred Hitchcock |
| 1959 | SOME LIKE IT HOT | Billy Wilder |
| 1959 | NORTH BY NORTHWEST | Alfred Hitchcock |
| 1959 | BEN HUR | William Wyler |
| 1959 | SOME LIKE IT HOT | Billy Wilder |
| 1960 | THE CHAPLIN REVUE | Charles Chaplin |
| 1961 | BREAKFAST AT TIFFANY'S | Blake Edwards |
| 1964 | LILITH | Robert Rossen |
| 1965 | THE LOVE GODDESSES | Walter Reade |
| 1965 | BLINDFOLD | Philip Dunne |
| 1965 | THE LOVE GODDESSES | Walter Reade |
| 1968 | THE NIGHT THEY RAIDED MINSKY'S | William Friedkin |
| 1969 | WHATEVER HAPPENED TO AUNT ALICE? | Lee H. Katzin |
| 1969 | THEY SHOOT HORSES, DON'T THEY? | Sydney Pollack |
| 1969 | PAINT YOUR WAGON | Joshua Logan |
| 1970 | BLACK FLOWERS FOR THE BRIDE | Harold Prince |
| 1970 | WHERE'S POPPA? | Carl Reiner |
| 1970 | DIARY OF A MAD HOUSEWIFE | Frank Perry |
| 1970 | THE LANDLORD | Hal Ashby |
| 1971 | WHAT'S THE MATTER WITH HELEN? | Curtis Harrington |
| 1971 | HAROLD AND MAUDE | Hal Ashby |
| 1972 | AVANTI | Billy Wilder |
| 1972 | DELIVERANCE | John Boorman |
| 1972 | THE WAR BETWEEN MEN & WOMEN | Melville Shavelson |
| 1972 | AVANTI | Billy Wilder |
| 1974 | THE FORTUNE | Mike Nichols |
| 1974 | HESTER STREET | Joan Micklin Silver |
| 1977 | NEW YORK | New York |
| 1979 | APOCALYPSE NOW | Francis Ford Coppola |
| 1979 | ALL THAT JAZZ | Bob Fosse |
| 1981 | EXCALIBUR | John Boorman |
| 1984 | BROADWAY DANNY ROSE | Woody Allen |
| 1984 | FINDERS KEEPERS | Richard Lester |
| 1985 | DIM SUM | Wayne Wang |
| 1985 | THE PURPLE ROSE OF CAIRO | Woody Allen |
| 1985 | THE TRIP TO BOUNTIFUL | Peter Masterson |
| 1986 | SALVADOR | Oliver Stone |
| 1987 | THE WHALES OF AUGUST | Lindsay Anderson |
| 1987 | HOUSE OF GAMES | David Mamet |
| 1987 | THE MILAGRO BEANFIELD WAR | Robert Redford |
| 1988 | BIRD | Clint Eastwood |
| 1988 | A WORLD APART | Chris Menge |
| 1989 | COMMON THREADS | Robert Epstein & Jeffrey Friedman |
| 1989 | MANHUNTER | Michael Mann |
| 1990 | LONGTIME COMPANION | Norman Réne |
| 1991 | CITY OF HOPE | John Sales |
| 1991 | MISSISSIPPI MASSALA | Mira Nair |
| 1991 | HEARTS OF DARKNESS: A FILMMAKER'S APOCALYPSE | Fax Bahr & George Hickenlooper |
| 1994 | WORLD AND TIME ENOUGH | Eric Mueller |
